The Walrus, a periodical that prompted Utne Reader to inexplicably gush of Toronto being “the city with the hottest magazine scene in the hemisphere” also boasts of nearly all the masthead names beneath its foundation beneficiary Ken Alexander changing over its first year of publication. And with so much turmoil in the ranks – cue insufferable “tusk”-related puns – what’s positioned as a CanCon equivalent of Atlantic Monthly-meets-Harper’s-meets-The New Yorker (while pretending its fate is resting entirely on market forces) may have been distracted from living up to its launch hype. The new February 2005 issue contains Only Connect by Ellen Vanstone, a 3,126-word first-person account of trying to procure a new internet connection after a marital breakup – which is devoid of any detail of the “failure of true love” cited in the subtitle (moreover, the ex in question is Ken Finkleman of CBC’s The Newsroom fame) just a heap of lusterless typing about calling technical support reps and how her editors would rather she found a hobby. (Yes, it’s a metaphorical overload, in that sense not necessarily un-clever, but still …)
Could it be The Walrus were attempting their own version of last year’s Webstalker by Katha Pollitt, wherein the process of foraging for an ex-flame’s whereabouts was luridly detailed? Contrasting passages between the two provides all the evidence one needs about the difference between how neuroses are expressed among the rubes of Darkest Annex – by writers undeserving of a LiveJournal account – and the kind of wacky chick who gets to use The New Yorker as a therapist’s couch, while at least worthy of that buck or two per word.
The opening lines
Pollitt: “After my lover left me, I went a little crazy for a while. By day, I could pass for normal, as that concept is broadly understood on the Upper West Side, where I live – I sat at my desk, I took long furious walks in Riverside Park rehearsing all the terrible things I would say to him as he lay stricken with something rare and painful, I wandered through Zabar’s looking for kitchen things to replace the ones he took when he moved out. What kind of person walks out the door after seven years with a wooden spoon, a spatula, a whisk?”
Vanstone: “My phone service and high-speed Internet service started to break down a few months before I broke up with the man I was living with. As stressful as this development in my personal life was, it did mean that I could get a brand-new e-mail account in my new home.”
The sacredly profane
Pollitt: “He had left only one art work behind – a colorful picture of two ambiguously sexed people embracing, by a jolly, tough-talking artist we had socialized with when her child and mine were small. I called her up and told her I had belatedly come to conclude that my lover had had affairs during our years together and I didn’t want to keep her picture if she had slept with him. ‘I never saw his genitals,’ she said cheerfully – just mooned around with him in coffee shops.”
Vanstone: “We’d been on the phone for about half an hour, and getting along pretty well. I’d gotten into the habit of asking the technicians about themselves while waiting for my computer to reboot, or my modem to light up. Anyway, this guy, John in New Brunswick, at one point asked me something like ‘When you attempt to log in to your account via the Internet, what appears on your screen?’ I answered, ‘The same little box keeps appearing. You know – the little box that tells you to quit trying and fuck off.’ I could feel the ice through the line.”
A cultural touchstone
Pollitt: “I’ve always believed in the Nero Wolfe theory of knowledge. You can just sit quietly in your room – according to Pascal, the activity that if practiced more assiduously would free humanity from most of its troubles, but that was before e-mail – and through sheer mental effort force the tiniest snippets of information to yield the entire story of which they are a fragment, because the whole truth is contained in every particle of it, the way every human cell contains our DNA.”
Vanstone: “That reminds me of a line I heard on the old HBO sitcom Dream On: the odious Australian boss, Gibby Fiske, taunts the beleaguered protagonist, Martin Tupper: ‘What’s wrong with you? You look rougher than a sheep’s arse on “Farmers Drink Free” night.’”
The existential crisis
Pollitt: “Sometimes I think I would like to be a word – not a big important word, like ‘love’ or ‘truth,’ just a small ordinary word, like ‘orange’ or ‘inkstain’ or ’so,’ a word that people use so often and so unthinkingly that its specialness has all been worn away like the roughness on a pebble in a creekbed, but that has a solid heft when you pick it up, and if you hold it to the light at just the right angle you can glimpse the spark at its core. But of course what my friend meant was that I ignored inconvenient subtexts, the meaning behind the meaning: that someone might say he loved you, but what really mattered was the way he let your hand go after he said it.”
Vanstone: “I really want to make another list here, because I don’t know how else to do justice to the fiasco that my relationship with Bell Sympatico degenerated into during the dying days of our association. But the editors here refuse to discuss the list thing anymore. And I do realize it’s pointless. But when one has been through a terrible experience, it’s so soothing to make a complete record of all the transgressions – the treachery, the injustice, the heartbreak of disconnection. Perhaps it’s a bid for control, or a need to convey to you, whoever you are – to prove beyond any doubt – that none of this was my fault.”
Her parting thoughts
Pollitt: “In the months to come, I would look back on this time in my life almost as a kind of out-of-body travel, from which I had returned with nothing but a sense memory of having been somewhere inexpressibly exciting and far away. It wasn’t like a dream, exactly, although it had a dream’s strange internal logic. It was like looking through the window of an airplane at night, the way the city below appears so near, yet untouchable beyond the glass – a network of lights, flames, stars.”
Vanstone: “Sometimes I almost suspect that maybe it doesn’t matter what you buy, or whose system you go with, because underneath they’re all the same – the hardware, the software, the ISPs, the printers that cost next to nothing – till you run out of ink. … But at least my e-mail works, pretty much, or will, someday, if I can just figure out a couple more things, and, of course, get the right help …”